EARLY INSTRUMENTS

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My philosophy in building early instruments is to start from the study of the original instruments, in order to obtain a philologically accurate result.

Both the acoustic and esthetic result must be coherent with the historical building logic which we can deduct from the originals, accompaning the musician through the execution of the repertoires from many periods. 

I take particular care in choosing all of the materials, in order to obtain beautiful, stable and trustworthy instruments

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